Last edited by Gocage
Saturday, August 8, 2020 | History

2 edition of Performer training found in the catalog.

Performer training

Performer training

developments across cultures

  • 312 Want to read
  • 3 Currently reading

Published by Harwood Academic in Australia .
Written in English

    Subjects:
  • Actors -- Training of,
  • Actors -- Training of -- Philosophy,
  • Actors -- Training of -- Social aspects,
  • Actors -- Training of -- Cross-cultural studies

  • Edition Notes

    Includes bibliographical references and index

    Statementedited by Ian Watson
    GenreCross-cultural studies
    SeriesContemporary theatre studies -- v. 38
    ContributionsWatson, Ian, 1947-
    The Physical Object
    Paginationxiii, 236 p. :
    Number of Pages236
    ID Numbers
    Open LibraryOL18135888M
    ISBN 109057551519

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Time and Performer Training addresses the importance and centrality of time and temporality to the practices, processes and conceptual thinking of performer training. Notions of time are embedded in almost every aspect of performer training, and so contributors to this book look at: age/aging and children in the training contextCited by: 1.

Performer Training is an examination of how actors are trained in different cultures. Beginning with studies of mainstream training in Performer training book such as Poland, Australia, Germany, and the United States, subsequent studies survey: Some of Asia's traditional training methods and recent experiments in performer training.

Book Description. Intercultural Acting and Performer Training is the first collection of essays from a diverse, international group of authors and practitioners focusing on intercultural acting and voice practices unique book invites performers and teachers of acting and performance to explore, describe, and interrogate the complexities of intercultural acting and actor.

Intercultural Acting and Performer Training is the first collection of essays from a diverse, international group of authors and practitioners focusing on intercultural acting and voice practices unique book invites performers and teachers of acting and performance to explore, describe, and interrogate the complexities of intercultural acting and actor/performer training taking Author: Zarrilli Phillip, T Sasitharan, Anuradha Kapur.

Offering a radical re-evaluation of current approaches to performer training, this is a text that equips readers with a set of new ways of thinking about and ultimately 'doing' training. Stemming from his extensive practice and incorporating a review of prevailing methods and theories, Frank Camilleri focuses on how material circumstances shape Author: Frank Camilleri.

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Paperback. $ $. While much doctoral-level work has considered training in Australia, there is no authoritative, published history of Australian performer training. The history of training is thus another iteration of what Ian Maxwell terms “Australian theatrical bricolage” (, p.

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Time and Performer Training addresses the importance and centrality of time and temporality to the practices, processes and conceptual thinking of performer training.

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